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Stop Kiss - Acting Edition, by Diana Son
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Ben Brantley of the New York Times summed up the critical reaction to Diana Son's play Stop Kiss when he stated that it "generated the warmest advance word of mouth of any downtown production this season" and heralded it as a Barefoot in the Park for a new generation. Son's story is deceptively simple: two young women in New York meet, talk about their boyfriends, feel a growing, unspoken attraction for each other, and finally kiss. And that one innocent kiss sets off a savage gay-bashing. But even as Stop Kiss confronts the reality of physical violence, Son's imaginative, moving, and surprising comedy brings audiences -- and her principal characters -- to unexpected places.
Callie is holding down a job as a radio traffic reporter when she meets Sara, a midwesterner who, against her parents' wishes, has moved to the city to teach third-grade students in the Bronx. Both have boyfriends, but as they get to know each other, their shared experiences and sense of humor create a strong bond. The tragic consequences of their kiss -- the center of this powerful drama -- serve as both an indictment of hatred and a moving study of the perils inherent in living life fully.
- Sales Rank: #38030 in Books
- Brand: Son, Diana
- Published on: 2000-06
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 5.00" w x .25" l, .15 pounds
- Binding: Paperback
- 64 pages
- Used Book in Good Condition
Amazon.com Review
It doesn't do this play justice to say that much of the action takes place in a hospital room around the bed of a comatose woman. On the other hand, it may explain why critics have been so impressed. From unpromising material--standard urban settings, stilted exchanges, missed cues, private jokes, half-finished sentences--Diana Son has crafted a subtle, moving drama about vulnerability and risk. When Callie, a twentysomething New York traffic reporter, promises to take on a cat owned by Sara, "some friend of an old friend of someone," she arranges to leave quickly after Sara drops off the cat so that she doesn't get drawn into a dull evening with a stranger. Callie is an expert at avoiding conflict, which serves her well in the city. Sara, on the other hand, has willingly left her job at a Quaker school in St. Louis to teach third-graders in the Bronx. Although both are "straight" women, they circle each other warily, nursing an unspoken attraction. The playwright's choice to shuttle back and forth in time, between the hospital room and police station and the early days of Callie and Sara's friendship, lends a bittersweet quality to even their lightest exchanges, allowing us to wonder, along with the two women, whether the violent outcome of their single kiss makes it a bad idea. Stop Kiss revises Romeo and Juliet, with one thug and the mores of a nation standing in for the family feud. --Regina Marler
Most helpful customer reviews
10 of 10 people found the following review helpful.
Wonderful play!
By Amazon Customer
I stumbled upon this play at the Soho Writer's Centre during my time in London last year. It was so good I saw it twice, and I would have gone again had it not closed. There's something bittersweet and special about this story, and the way it is told is electric. I couldn't wait to get to the next scene, and at the end, I wanted to spend more time with these women. It's sad that in today's society we can't just leave each other alone to live and love as our heart leads us to. This is just one story. There are so many more...
14 of 16 people found the following review helpful.
A good play
By Nathan
Stop, Kiss is a well thought out, well-written play about "different ways people can love one another." The story is told in a unique manner -- it starts with a scene from the present, before the climax, and then the next scene takes place afterwards, and so on, so we never actually see the event happen but learn about it before and after the fact. Interestingly, confusingly as it may seem, this is a very effective means.
The story is about two single New York women, one a teacher, the other a traffic reporter, both of whom have had failed relationships with others in the past. Over time, they realize that they have fallen in love, only to be physically assaulted by an outraged homophobe as they share their first kiss. The play shows us not only the events leading to this, but all the trauma and drama afterwards.
While the play starts off a little slowly, it escalates into an engaging, important, and relevant picture of modern life and the attitudes and views surrounding homosexuality in today's culture. I recommend seeing this play if it comes your way.
3 of 3 people found the following review helpful.
This play is amazing
By Juliane Johnson
I was Sara in a production of this play. However, that is not the only reason that I love it. I first read the play for a women playwrights class that I was in, and I instantly fell in love with it. My director described it best when she said "I read the last page, gasped, then went straight back to the beginning and read it again." I feel that way every time I re-read the script. After speaking these words for months of rehearsals and performances, I still gasp. Diana Son herself said it best when she said that it isn't a play about homosexuality or violence. It's a play about love. I think it's a play about humanity. But most of all, it's a play about taking chances and finding out who you really are no matter what that means.
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