Jumat, 17 September 2010

[B230.Ebook] Download Copywriting: Everything You Need To Know About Copywriting From Beginner To Expert, by Linc Bartlett

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Copywriting: Everything You Need To Know About Copywriting From Beginner To Expert, by Linc Bartlett

A Book That Actually Teaches You How to Write Sales Letters? Yes - You can write words that sell! Knowing how to string together sentences that will have your prospects begging to buy your product or service isn't just a skill reserved for the highly trained copy "gurus" - YOU CAN WRITE COPY TOO! Copywriting: Everything You Need To Know About Copywriting From Beginner To Expert helps you understand the evolution of copywriting and the importance of believing in your company's products. By understanding your audience and "what's in it for the consumer", you can become a great copywriter! You'll discover how to write effective sales copy that "hits the spot", and find out why simple and persuasive sales copy sells so well. It's time to hone your storytelling skills and create compelling copy that outclasses your competition! With Copywriting: Everything You Need To Know About Copywriting From Beginner To Expert, you'll be taken through a step-by-step process on how to become an amazing copywriter. Copywriting is a craft, and there are certain tools and formulas you can use to create both long and short copy that will have your prospects eating out of your hand! Let this book take you by the hand and transition you from a beginning copywriter into a sales page creating expert! You must practice to become great. Most of the great copywriters of today and the past, have been those who study the art and implement the best strategies. This book will give you the tools to become a master in copywriting!

  • Sales Rank: #822701 in Books
  • Published on: 2015-09-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .35" w x 6.00" l, .41 pounds
  • Binding: Paperback
  • 154 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
Great Tips
By Waqas Amjad Sethi
I’m a writer and I started this kind of career three years ago. However, I only focused on writing general articles. There’s a rising demand on “copywriting jobs” and I tend to fail them or give up doing them because I can’t really write a good one. I tried looking for ways, but the internet is so big, that it really gets me overwhelmed, I don’t know which one I should choose. So, I considered this book, took my time reading it and it worked wonders. I tried to apply for a copywriting job offer and I’m glad I made it! I was hired and I’m doing a great job (according to my manager). This book honed me to become one!

3 of 3 people found the following review helpful.
A great book for those wanting to explore the depths of copywriting
By Randy
I really learned a lot with this book. There are so many examples of excellent material used in the past and present, as well as some major mistakes companies have made in copywriting. The examples show details of what is good and bad about the advertisements, as well as the techniques you have to think about. From studying your competitor's products, to motivating buyers to use your product above all others, this book is an excellent source of information.

2 of 2 people found the following review helpful.
Useful book for professional writers.
By Alex Thomas
I’m a professional writer and I do various types of writing jobs on Upwork. I was looking for a way to improve my writing skill and perhaps learn a new skill of writing. This book is about copywriting and its many aspects. After reading this book, now I know how to become a successful copywriter. This book has guided me in the complex way of becoming a copywriter. But, still the book did what it promised.
Now, I’ll be able to start doing copywriting works. Thanks to the author.
I would recommend any professional writer to read this book to shine his/her writing skills even more.

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Selasa, 14 September 2010

[L498.Ebook] Get Free Ebook The Pacific War 1941-1945, by John Costello

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The Pacific War 1941-1945, by John Costello

GREAT FOR THE COLLECTOR

  • Sales Rank: #614109 in Books
  • Brand: Brand: Rawson, Wade Publishers
  • Published on: 1981
  • Number of items: 1
  • Binding: Hardcover
  • 742 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
... much material packed into one book and many very boring parts referring to background leading to
By Joseph Kremper
too much material packed into one book and many very boring parts referring to background leading to fighting

0 of 0 people found the following review helpful.
Four Stars
By John Manion
Detailed history of the Pacific campaigns.

0 of 0 people found the following review helpful.
Five Stars
By Restitutor
Great, thanks! :)

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Senin, 13 September 2010

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Unlimited Memory: How to Use Advanced Learning Strategies to Learn Faster, Remember More and be More Productive, by Kevin Horsley

Kevin Horsley Broke a World Memory Record in 2013...
And You're About to Learn How to Use His Memory Strategies to Learn Faster, Be More Productive and Achieve More Success

Most people never tap into 10% of their potential for memory.

In this book, you're about to learn:

How the World's Top Memory Experts Concentrate and Remember Any Information at Will, and How You Can Too
Do you ever feel like you're too busy, too stressed or just too distracted to concentrate and get work done?

In Unlimited Memory, you'll learn how the world's best memory masters get themselves to concentrate at will, anytime they want. When you can easily focus and concentrate on the task at hand, and store and recall useful information, you can easily double your productivity and eliminate wasted time, stress and mistakes at work.

In this book, you'll find all the tools, strategies and techniques you need to improve your memory.

Here’s just a taste of the memory methods you'll learn in this book:


  • The 3 bad habits that keep you from easily remembering important information

  • How a simple pattern of thinking can stop you from imprinting and remembering key facts, figures and ideas, and how to break this old pattern so you’ll never again be known as someone with a “bad memory”

  • How to master your attention so you can focus and concentrate longer, even during challenging or stressful situations

  • How to use your car to remember anything you want (like long lists or information you need to remember for your studies or personal life) without writing anything down

  • Simple methods that allow you to nail down tough information or complex concepts quickly and easily

  • How to combine your long-term memory (things you already know and will never forget) and short-term memory (information you want to remember right now) to create instant recall for tests, presentations and important projects

  • The simple, invisible mental technique for remembering names without social awkwardness or anxiety

  • How using your imagination to bring boring information to life can help you dramatically improve your attention span and recall

  • An incredible strategy for remembering numbers (the same system Kevin used to remember Pi to 10,000 digits and beat the world memory record by 14 minutes)

  • How to use a mental map to lock in and connect hundreds or even thousands of ideas in your long-term memory (this method will allow you to become a leading expert in your field faster than you ever dreamed possible)

If you're ready to harness the incredible power of your mind to remember more in less time, this book is for you.

About the Author

For over 25 years, Kevin Horsley has been analyzing the mind and memory and its capacity for brilliance. He is one of only a few people in the world to have received the title of International Grandmaster of Memory. He is a World Memory Championship medalist, and a two-time World Record holder for The Everest of memory tests. Kevin is also an author of four books, and the designer of a mathematics game with the Serious Games Institute at North-West University Vaal Campus.

His work has been featured in The Oprah Magazine, Time, Forbes, Inc., The Huffington Post, ELLE, Longevity and on numerous TV and radio shows.

Kevin is an International professional speaker and has spoken in many different countries. He assists organizations in improving their learning, motivation, creativity and thinking.

  • Sales Rank: #1066 in eBooks
  • Published on: 2014-01-26
  • Released on: 2014-01-26
  • Format: Kindle eBook

About the Author
For over 25 years, Kevin Horsley has been analyzing the mind and memory and its capacity for brilliance. He is one of only a few people in the world to have received the title of International Grandmaster of Memory. He is a World Memory Championship medalist, and a two-time World Record holder for The Everest of memory tests. Kevin is also an author of four books, and the designer of a mathematics game with the Serious Games Institute at North-West University Vaal Campus.

His work has been featured in The Oprah Magazine, Time, Forbes, Inc., The Huffington Post, ELLE, Longevity and on numerous TV and radio shows.

Kevin is an International professional speaker and has spoken in many different countries. He assists organizations in improving their learning, motivation, creativity and thinking.

Most helpful customer reviews

93 of 100 people found the following review helpful.
Follow the trail of breadcrumbs out of the forest of ignorance
By Simple Guy
I recommend this book.

It is one of the few of its subject matter written by a man who has competed and succeeded at passing tests in international memory competitions.
He does not sugar coat the need for initial effort spent learning the systems, and does not belabor the obvious need & benefits of practice.
He does not over-complicate the systems that he does introduce.

AFTER finishing this book a little extra reading in the subject area, proved that without using the more commonly recognized terms, Mr. Horsley covered many areas of value including the "Major System" for handling the memorization of numbers based on a method of translating numbers into sounds.

I suspect that what practice reveals to some readers..(like me).. about the gaps in their understanding, will motivate them to fill those gaps and practice some more.

We all learn differently, & for this reason Mr. Horsley's book is a decent springboard from which to launch oneself into the act of mental improvement.

The "Aha" moment before I wrote this review relates to a deeper understanding of the "Journey Method".
Be sure to visit a few internet forums that discuss the practice of memory techniques and light your own lamp out of the darkness.

2015-02-23 UPDATE

There are a few points that Mr. Horsley doesn't explicitly state, that are worth mentioning.

1. The words created by the system he introduces in Chapter 12, can be used to create "Peg words" that upon creation are automatically organised in order. Create them, borrow from other people's lists if you have to and take the time to organise your source material so you rank the items/concepts to be remembered in numerical order.

2. Intimately familiarize yourself with the meaning of the word "INCONGRUOUS". It conveys in less than a sentence how to form images that "stick." (E.g. A bear with wings stuck to a honey pot")

3. After you read Chapter 9, and start trying things on your own.... WRITE DOWN your "markers" or places along the journey or "objects" within the room.
Like with anything else, that handwriting, eye, brain thing seems to add stickiness.

2016-08-17 UPDATE
Checked my "Manage Your Content and Devices" section and discovered there is an update to this book. I am not sure what has changed yet.
Sincerely,
Simple Guy.

88 of 95 people found the following review helpful.
If you want to improve your memory... Get this book!
By Nate Lee
This book is absolutely amazing! This was the 2nd book on improving your memory I purchased (the first being Moonwalking with Einstein) and out of the 6 I have purchased Unlimited Memory is by FAR the best. Mr. Horsley gives you clear and detailed methods that “WILL” help you improve your memory. The book is VERY well written with exercise and examples of different techniques that help guide you all along the way. He also shows you/helps with examples on how you can use what you have learned earlier in the book to jump right in with both feet and start and work to improve your memory right way. I am a Programmer/DBA and am using the book to learn programming languages and complex terms and so far this book has been invaluable! This book is a winner and I 100% recommend it for anyone looking to improve your memory!

63 of 71 people found the following review helpful.
Not New or Original, Still Good
By Elizabeth Shin
I’ve read a lot of memory books, old ones, new ones, by famous authors and experts like Harry Lorayne, Dominic O’Brien, William Walker Atkinson, Josh Foer, and many by not so famous ones, and now this one.

This book didn’t strike me as anything original or special, which is surprising given the overwhelming positive reviews. It does nothing more than take traditional memory techniques and more or less rehash them here. The presentation of the material isn’t even unique. It resembles most other books, using similar arguments, descriptions, and even cliché quotes like “if you keep doing what you’ve always done, you are going to get what you have always gotten.”

The book that kept coming to mind as I was reading this is John Parker’s Memory: Simple, Easy, and Fun Ways to Improve Memory as some of the resemblances were quite uncanny.

Both books’ introduction talk about the importance of memory and what it would be like to not have memory. Parker follows his introduction with what he refers to as “factors” that improve memory like beliefs, concentration, developing interest, letting go of stress & worry. Interestingly, Kevin follows the introduction with those same things. The words are different, but the content and message are essentially the same. The two also use cute little quotes at the beginning of each chapter and they both put a lot of emphasis on visualization and imagination.

Prior to Parker, I never really came across memory books talking about beliefs or once that put them so at the center of the memory improvement process. Also not many discussed mind maps in their books either. Sure mind maps have been taught for decades, but in “mind map” or “study skills” books, not so much in memory improvement books. It’s these elements that aren’t the focal point of many memory books, but were in Parker’s and now in Kevin’s, why I draw such a parallel.

The biggest similarity I saw to Parker’s work is in the chapter on remembering names. They both start by telling you to pay attention. They use the anecdote about how you never hear people say ‘I know the face, but I can’t remember the name.” They follow with instructions to create an image of the name; Parker uses the example of Teddy Bear & Garfield the Cat to remember Edgar while Ken uses horse & Bruce Lee to remember his last name Horsley. They suggest connecting the name to someone you already know with Parker’s example using Edgar to Edgar Allen Poe and Kevin using George to George Clooney. The list of recommendations continue with study features of the face, use the name in the conversation, talk about the name, and if these commonalities wasn’t enough, like Parker, Kevin suggests imagining the person whose name you want to remember giving you $1,000,000 next week…not tomorrow or next month, but next week.

These are some of the similarities my mind kept associating as I was reading. No doubt there are differences between the two books, but the similarities are rather interesting.

At the end of the day, this is not a bad book, which is why I still gave it three stars. If you’ve never read a memory book, you may find it helpful. But if you have, like I said it’s nothing new, original, or special. It simply regurgitates what the likes of Harry, Dominic, and Parker have already done. Yes Kevin is a memory champion, but so are many others.

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Kamis, 09 September 2010

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Las 48 Leyes del Poder (Spanish Edition), by Robert Greene

Libro audaz, artero, sagaz, inescrupuloso e instructivo, presenta la sintesis de una profunda investigacion de las filosofias de grandes pensadores de la talla de Maquiavelo, Sun-Tzu y Carl von Clausewitz, en relacion con las 48 leyes fundamentales que a lo largo de la historia de la humanidad han regulado y siguen regulando el incremento o la reduccion del poder.

  • Sales Rank: #115050 in Books
  • Published on: 2005-12-11
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 1.29" h x 6.12" w x 9.28" l, .0 pounds
  • Binding: Paperback
  • 526 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
excelente libro
By Schweisisk
"Las 48 leyes del poder" El libro contiene temas y elementos de El Príncipe de Nicolás Maquiavelo y ha sido comparado con el clásico de Sun Tzu, El Arte de la Guerra.

En él se narran las leyes que se deben seguir para actuar con inteligencia, engaño, paciencia y liderazgo (como cualquier líder), sin perder el respeto de aquellos que lo rodean.

lo recomiendo al 100%

7 of 9 people found the following review helpful.
Pésima traducción
By GABRIELA O. Martinez
Fantástico contenido, pésima traducción. Verbos en tiempos equivocados, puntos y comas que no deberían de ir, oraciones que empiezan con letra minúscula. Pienso pedir en libro en inglés, pero de entrada no le recomendaría a nadie leer la versión en español, me ha dado migraña el sólo tratar de descifrar lo que dice.

El contenido es muy bueno, peligroso en las manos equivocadas ya que creo muchas de estas leyes pueden hacer mucho daño. Sin embargo, es excelente como defensa, para estar atento a ataques de otros.

1 of 2 people found the following review helpful.
Muy bueno
By Gustavo
Compre este libro ya que habia leido el arte de la guerra, hago un MBA y para el mundo de hoy hay que tener todas las herramientas posibles para evitar que te coman.
Algunas cosas son duras y criticables, pero esta en cada uno el aplicarlas o no, lo que yo siempre digo es que mas vale tener un arma y no usarla que tener que usarla y no tenerla.
Muy recomendable.

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Rabu, 08 September 2010

[I695.Ebook] Ebook Free Schaum's Outline of Lagrangian Dynamics, by Dare Wells

Ebook Free Schaum's Outline of Lagrangian Dynamics, by Dare Wells

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Schaum's Outline of Lagrangian Dynamics, by Dare Wells

Schaum's Outline of Lagrangian Dynamics, by Dare Wells



Schaum's Outline of Lagrangian Dynamics, by Dare Wells

Ebook Free Schaum's Outline of Lagrangian Dynamics, by Dare Wells

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Schaum's Outline of Lagrangian Dynamics, by Dare Wells

The book clearly and concisely explains the basic principles of Lagrangian dynamicsand provides training in the actual physical and mathematical techniques of applying Lagrange's equations, laying the foundation for a later study of topics that bridge the gap between classical and quantum physics, engineering, chemistry and applied mathematics, and for practicing scientists and engineers.

  • Sales Rank: #125152 in Books
  • Published on: 1967-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .63" w x 8.10" l, 1.47 pounds
  • Binding: Paperback
  • 368 pages

About the Author
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide

Most helpful customer reviews

35 of 38 people found the following review helpful.
Moderately helpful
By calvinnme
This Schaum's outline is OK if you have an engineer's interest in the subject, but it does not have the kinds of problems you typically encounter in the pure sciences. It is also not typical of the high quality you find in other Schaum's outlines.
In Lagrangian mechanics, the trajectory of an object is derived by finding the path which minimizes the action, a quantity which is the integral of the Lagrangian over time. The Lagrangian for classical mechanics is taken to be the difference between the kinetic energy and the potential energy.
This considerably simplifies many physical problems. For example, consider a bead on a hoop. If one were to calculate the motion of the bead using Newtonian mechanics, one would have a complicated set of equations which would take into account the forces that the hoop exerts on the bead at each moment. The same problem using Lagrangian mechanics is much simpler. One looks at all the possible motions that the bead could take on the hoop and mathematically finds the one which minimizes the action. There are fewer equations since one is not directly calculating the influence of the hoop on the bead at a given moment.
I don't think that this Schaum' outline does a good job of showing the difference in approach to these kinds of problems. Instead Newtonian and Lagrangian approaches to problems are all jumbled up together. Instead, I recommend that you type "Lagrangian Dynamics" into Google and look at some of the excellent sets of lecture notes available on-line. The online tutorial "A Crash Course in Lagrangian Dynamics" is particularly helpful. At only 18 pages it gets to the heart of the matter and contains some solved numerical examples.
As an aside, if you use Amazon's "search inside" function for this book you will be completely confused. The table of contents and "excerpt" shown are for this book. However, the "Surprise Me" sections are from "Schaum's Outline of Mathematica". If the student of Lagrangian dynamics electronically "thumbs" through this book and wonders what creating 3D graphics with Mathematica has to do with Lagrangian dynamics, the answer is "nothing" - this is an editing error courtesy of Amazon.

31 of 33 people found the following review helpful.
The best on Lagrangian Mechanics
By rabih alkhatib
If you would like to understand and know who to use Lagrange equation, look no further. This book provides both theory and practical application to Lagrange equation. The material converge is excellent and complete. The book is rich in examples and solved problem. It is a graduate level book but also very accessible to people with good background in Dynamics. I often refer to it when solving dynamic modeling of systems.

24 of 26 people found the following review helpful.
The Very Best
By J. Rantschler
This is the best of Schaum's Outlines. Not only is the treatment of variational mechanics complete, with exposition on every major aspect of the derivation and solution dynamical equations, it does so while exceeding all junior-level texts on analytical mechanics. Its treatment of dissipation functions in chapter six, moreover, is better than the available graduate textbooks on the subject. This is the one workbook in the series that you must own for learning and for future reference.

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Selasa, 07 September 2010

[G614.Ebook] Get Free Ebook The Great Hunger: Ireland, 1845-1849, by Cecil Blanche Fitzgerald Woodham-Smith

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The Great Hunger: Ireland, 1845-1849, by Cecil Blanche Fitzgerald Woodham-Smith

The Great Hunger: Ireland, 1845-1849, by Cecil Blanche Fitzgerald Woodham-Smith



The Great Hunger: Ireland, 1845-1849, by Cecil Blanche Fitzgerald Woodham-Smith

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The Great Hunger: Ireland, 1845-1849, by Cecil Blanche Fitzgerald Woodham-Smith

This book has hardback covers.Ex-library,With usual stamps and markings,In fair condition, suitable as a study copy.No dust jacket.

  • Sales Rank: #3202181 in Books
  • Published on: 1962-12
  • Original language: English
  • Binding: Hardcover
  • 510 pages

Most helpful customer reviews

21 of 21 people found the following review helpful.
"Low lie the fields of Athenry"
By Konrei
"By a lonely prison wall, I heard a young girl calling
'Michael, they have taken you away
For you stole Trevelyan's corn
So the young might see the morn'
Now a prison ship lies waiting in the bay..."

THE GREAT HUNGER is the definitive history of the Irish Potato Famine of 1845-1849. When the Englishwoman Cecil Woodham-Smith published this book in 1962 she was vilified and branded a Communist by the British establishment which had spent the previous 120 years explaining away what is undoubtedly the greatest European famine since antiquity. Estimates of the dead are difficult to quantify. Conservative historians put the number at 1-2 million; others place it closer to 6,000,000. At least another 1.5 million Irish fled their homeland.

Like most disasters, "An Gortha Mor" seems both inevitable and avoidable in retrospect. The Irish population exploded in the first half of the 19th century reaching an official 8.2 million (and an unofficial ten million) just before the Famine. But unlike Britain, which had become heavily industrialized and was moving confidently into the modern and scientific Victorian Era, Ireland was sunk in a morass of poverty and dejection. The average Irish countryman led a life no better than the poorest serfs of Imperial Russia of the day, and the Irish were subject to all manner of legal restrictions, mass unemployment, subsistence agriculture, exploitation by landlords, and eviction at whim from the land and their homes, often just a rude mud cabin. With no education, and few skills other than potato farming, eviction meant almost certain death for husbands, wives and children. Often, they were driven even from the bogs where they'd found shelter after being put out.

The Blight, too, meant certain death for far too many. Eating nothing but potatoes and buttermilk, these most wretched people literally had nothing at all to sustain them after the crop turned into a glutinous, stinking mass of black rot. They died in droves, particularly in the poor west of Ireland, bleak and rocky Connaught. The typhus which followed killed more.

As hideous as all this seems, Cecil Woodham-Smith tells us that the Blight was only one factor in the disaster that overtook the Irish. More insidious was the attitude of the British administration which largely stayed hardset in its laissez-faire attitude, refusing to step in and feed the Irish, refusing to interfere with the free market economy of the day, and worst of all, refusing to grasp that the market economy only works when people have money or skills to trade for products and services. In 1845, Ireland was still a pre-capitalist economy, and the mercantile approach of the British simply could not be applied there; still, the British tried, and blamed their own failure to address the Famine on their convenient perceptions of Irish intransigence and laziness.

Sir Charles Edward Trevelyan may be one of the most hated figures in Ireland even to this day. Effectively the head of British efforts at Famine Relief, Trevelyan was unenamored of the Irish, he was a rock-ribbed capitalist, and, though moral and moralistic to a fault, was also just as singleminded, blind to the suffering of the populace, but fixed on promoting Irish efforts at self-help. He bought a parsimonious 100,000 Pounds Sterling worth of unmilled American corn, and doled it out to provide for the eight million Irish. Amazingly, Trevelyan kept food EXPORTS flowing out of the country at pre-Famine levels throughout (!) Nothing could interfere with trade.

A disciple of the philosopher Thomas Malthus, Trevelyan cast a cold and dispassionate eye over Ireland's circumstances, seeing them as a form of natural population control. At the same time, the British placed the country under virtual martial law, decreeing "seven long years Transportation way on down to Van Diemen's Land" (Tasmania) for minor infractions and acts of desperation (such as stealing corn).

Was this, as many have posited, an organized genocide? Certainly, there were those among the British who despised the Irish to that extent. On the other hand, if this had been an organized killing field, then why did the British do anything at all to help the Irish, little as it was?

Woodham-Smith's tales of people living in bogs, of coffinless mass funerals, of fever patients being abandoned by their terrified relations, of Ireland starving to death, cannot help but touch the reader. The British are presented as less calculating than more stupid, unable to adjust their thought processes to meet the crisis. Conditions were so awful and the Irish were so reduced and brutalized, forced to filthiness, criminal desperation and hair-trigger violence that when the Irish left Ireland (on rotten-bottomed Coffin Ships, like as not), their arrival in American and Canadian ports can be summed up shortly: NO IRISH NEED APPLY. "Paddy Wagons" were so named because they carried Irish miscreants almost exclusively for a time. Miraculously, the Irish rose, and rose all the way to the U.S. Presidency in just three generations.

More than just a history of the Potato Famine, THE GREAT HUNGER is an indictment of the too-common human propensities of blaming the victim, making gestures instead of taking action, and that of ultimately doing nothing. The truth behind every human tragedy can be found in the pages of THE GREAT HUNGER.

This is an essential read.

10 of 10 people found the following review helpful.
Excellent scholarly account
By Old hoosier
Cecil Woodham-Smith's judicious account of the potato famine in Ireland contrasts sharply with the angry tone of Thomas Gallagher's Paddy's Lament. Nevertheless, the two books complement each other very well. Although Woodham-Smith does not neglect the suffering of the Irish people, the main focus of her book is on the British government's response to the famine. She shows how the British administration was constrained by a narrow laissez-faire ideology and an inadequate administrative structure in Ireland, especially in the remote western counties. Although she never oversimplifies, Woodham-Smith patiently compiles a devastating indictment of British policy in Ireland. The main strength of Gallagher's book is his vivid description of life during the famine. He occasionally drifts into fictional methods in order to make his story more personal and immediate. Woodham-Smith is the better historian, but Gallagher packs a larger emotional punch.

7 of 7 people found the following review helpful.
The reason why atrocities happen
By Phillip Kay
How equipped are our governments to deal with emergencies? Supposing a worldwide epidemic, which many scientists forecast, or even a tornado, were to strike, would there be an effective support system with adequate funds to spring immediately into action? Do we want this to happen? Have we learnt anything from the past?

Cecil Woodham-Smith wrote a book in 1962 called The Great Hunger which implicitly asks these question. She had shown how slow the British Government was to learn from the mistakes made in the Irish famine in her book The Reason Why (1953), which details how administrative failure and ignorant leadership were able to destroy the British Army in the Crimea in the 1850s without the Russians having much to do with it. In The Great Hunger Woodham-Smith shows how doctrinaire adherence to laissez faire economic theory, ignorance of conditions in Ireland, hatred of the Irish and unchecked colonialism applied to what was officially part of Britain led to the deaths of more than four million men, women and children in Ireland, and the emigration of two or three million more, many of whom died on their journey, in the period 1845-49. (A note about figures: everything is ambiguous, none more so than statistics. A census of Ireland in the nineteenth century was impossible. Many districts could not be reached because of inadequate roads. The poor were often not counted. During the famine records could not be kept because of administrative breakdown. It is not known accurately what the population of Ireland was at the time of the famine, nor is it known how many died. Stick to official estimates if you want to downplay the tragedy, double those figures if you want to exaggerate it).

It started with bad weather, unseasonably damp and humid, the perfect conditions for the newly arrived potato blight to spread. A simple crop to grow, in Ireland the potato had become the staple food of the nation and was at the mercy of the weather: there had been regular 'shortages' for many years, during which the people went without. Now in 1846 the fungus phytophthora infestans, hitherto unknown in Europe, completely destroyed the Irish potato crop. The bulk of Ireland's conservatively estimated 8 million people (possibly as high as 12-14 million as the western counties were never adumbrated effectively) had no food of any kind. This was just the beginning.

The whole of Europe was affected by an economic recess; food supplies were short across the continent and none available to help Ireland in her hour of need. Following starvation came fever, typhus and others. There was no effective way of dealing with widespread sickness in Ireland, and thousands and then millions died untreated and in some cases unburied. The humid summer was followed by one of the coldest winters on record, and people who had had to sell their clothes to feed their children died of exposure. Complete poverty meant that the Irish had no funds to buy seed for the following spring, widespread lack of education meant they had no knowledge of other crops or efficient cropping methods. In 1847 the weather was good and the crop of potatoes healthy, but only a tiny fraction of what it needed to be to feed the people. Then in 1848 the blight returned, destroying the entire crop for that year.

Ironically, Ireland is a fertile country. During the famine, farm produce which might have fed most of the starving was leaving Ireland for England in a steady stream. As Woodham-Smith explains, this anomaly had its roots in the system of land tenure, which goes back to Elizabethan times. Elizabeth I, Cromwell and many other British leaders followed a policy of dispossessing Irish nobility and awarding their lands to their own followers. Ireland was a plundered country, with no thought taken to integrate it with the rest of the nation or build its economy. Over the centuries the estates were broken down to smaller lots, but the revenues from them were spent in England by absentee landlords. Many of these became impoverished but remained improvident. Soon the only way to attract investment for produce was to sell competitively in foreign markets, hoping to squeeze income for establishments in Britain from the proceeds. Nobody worried about the Irish. They grew the food and sold it to pay their rents. They ate potatoes and lived in hovels. Nobody asked about crop failure.

The key figure in the way the Irish famine was dealt with in Britain was Charles Trevelyan, permanent head of Treasury. Others were Charles Wood, Chancellor of the Exchequer and Lord John Russell, Prime Minister. These men could be said to be responsible for what has been described emotively as genocide in Ireland. Of course they did not create the problem, which had existed for centuries and was a condition of England's conquest of Ireland: it was a powder keg awaiting someone to throw a match.

Trevelyan's contribution was to ignore the problem. Though there was a food shortage throughout Europe in the mid 40s, no planning or forecasts were made for the fragile economy of Ireland. Though the system of poor relief had been shown over many years to be underresourced and impossible to operate, reliance was made on it in the crisis. Throughout the famine Trevelyan was reluctant to send aid to Ireland because that would prohibit market forces from operating and be destructive for the economy (a doctrine of laissez faire Trevelyan rigidly adhered to, as did the government of which he was a part). The fact there was no market, and no economy after 1846, was ignored, along with the stream of reports which detailed the breakdowns in every system of administration in the country. If there was a problem in Ireland, Trevelyan thought, it was the fault of the Irish people, and it was up to them to fix it. The fact that Britain governed Ireland was effectively ignored in the process. Trevelyan was a true bureaucrat, and dealt with many problems merely by calling for further reports on them.

Through convoluted reasoning Trevelyan thought the people responsible for the mass of starving Irish were the landlords, who refused to fund relief funds. He caused rates to be levied, which the bankrupt landlords couldn't pay, and their response was to clear the land, evicting tenants by police and military aid and demolishing their dwellings. The starving were thus forced on the parish and the poorhouses, which were also bankrupt and unable to cope with millions of new applicants for assistance. The British government did provide some slight assistance for poor relief, but as they thought that too was the responsibility of the landlords, they eventually withdrew it. The problem passed from hand to hand, and people died.

Perhaps this is one way tragedies happen. People who don't know what to do do nothing, and ask, What problem? There's no problem!

One of the saddest stories in Woodham-Smith's book is that of the nationalists, the Repeal Association, the Young Ireland party and the revolutionary group lead by Fintan Lalor. With the passing of the great Daniel O'Connell the nationalist movement in Ireland was in the hands of leaders who knew less about the condition of the Irish than the British did. Breathing fiery rhetoric about driving the despoiling English from the land, they strove to organise forces of rebellion from starving men who only gathered in dozens, and mainly for food. But the British, which meant effectively Trevelyan, used this so-called rebellion as a further reason for withholding aid.

Woodham-Smith's book has been criticised as simplifying the problem, and as anti-British. The same complaints have been made against her masterpiece The Reason Why. The Great Hunger tries to be objective. Woodham-Smith uses statistics a lot, refrains from judgmental remarks, quotes from a wide range of existing sources. But she does have a prejudice, against the entropy in large organisations and the tragedies they inflict. She says emigration to Australia was negligible (over one million came to Australia from Ireland), that this was because of the expense of the passage (there were several systems of assisted passage) and that there was no network of Irish to welcome them if they did arrive (there were many earlier Irish migrants, not to mention the convicts) so her information on Australia is deficient. Otherwise her uses of source material is impressive.

Inappropriate administrative procedures, rigid adherence to beliefs inapplicable to the situation encountered, racial prejudice, refusal to see problems arising or deal with them when they arrive ' these methods kill as effectively as the gas chamber. Malthusian economists even forecast the deaths of millions of Irish people and saw it as a reasonable solution to the problem of overpopulation.

Today the world's population is approaching seven billion. Crises involving millions of people are more likely to happen now than they were in 1845 in Ireland. Have the responses we are likely to make learnt from the past?

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The Art of Star Wars: The Force Awakens, by Phil Szostak, Lucas Film Ltd. Tm

Step inside the Lucasfilm art departments for the creation of fantastical worlds, unforgettable characters, and unimaginable creatures. The Art of Star Wars: The Force Awakens will take you there, from the earliest gathering of artists and production designers at Lucasfilm headquarters in San Francisco to the fever pitch of production at Pinewood Studios to the conclusion of post-production at Industrial Light & Magic—all with unprecedented access. Exclusive interviews with the entire creative team impart fascinating insights in bringing director J. J. Abrams’s vision to life; unused “blue sky” concept art offers glimpses into roads not traveled.

Bursting with hundreds of stunning works of art, including production paintings, concept sketches, storyboards, blueprints, and matte paintings, this visual feast will delight Star Wars fans and cineastes for decades to come. The Art of Star Wars: The Force Awakens is the definitive expression of how the latest chapter in the Star Wars saga was dreamed into being.

ALSO AVAILABLE FROM ABRAMS IN SPRING 2016:
The Making of Star Wars: The Force Awakens by Mark Cotta Vaz. Forewords by J.J. Abrams and Kathleen Kennedy.
ISBN: 978-1-4197-2022-2

  • Sales Rank: #12488 in Books
  • Brand: Abrams
  • Published on: 2015-12-18
  • Released on: 2015-12-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.38" h x .88" w x 11.31" l, .0 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Star Wars
  • Height: 11.750 inches. Width: 11.000 inches.
  • Manufactured by: Abrams

Review
“An incredibly in-depth look at all the alternate designs that could have ended up onscreen.” (WIRED)

“It’s gorgeous to look at and worth buying for that alone, but seeing so much preliminary concept art will just make you appreciate the finished product that much more.” (StarWars.com)

“Absolutely brilliant concept art.” (io9/Gizmodo)

“It’s a visual feast of fantasy worlds, iconic characters, spectacular spacecraft and colossal creatures.” (Parade)

“The Art of Star Wars: The Force Awakens . . . is the rare art book that is actually worth going out and purchasing right now.” (GeekTyrant)

“An inside look at [the] evolution and tracks the record-breaking film from its early concept art to its finishing touches.” (Yahoo! Tech)

“It’s fascinating to look at some of the art that preceded the finished product.” (Flavorwire)

“Packed with breathtaking concept art revealing alternative visions and early ideas for the film.” (Yahoo! Entertainment)

“Some of the best concept art and behind-the-scenes details have been collected in a book titled The Art of Star Wars: The Force Awakens.” (ScreenRant)

“Each page . . . is a visual feast.” (Entertainment Weekly)

About the Author
Image archivist Phil Szostak was embedded with The Force Awakens art department as a conceptual researcher and archivist from December 2012 through the end of production, and has worked in conjunction with Star Wars art departments for six years at Lucasfilm. A graduate of the School of Visual Arts in New York, Szostak worked for Wild Brain Animation on the Disney Channel series Higglytown Heroes, and he ran the JAK Films Art Department on Skywalker Ranch for over three years before joining the narrative design team on LucasArts' Star Wars: 1313. He resides in San Francisco. 

Production designer Rick Carter has won two Academy Awards®: One for his design of Steven Spielberg’s Lincoln, and one for his otherworldly production design on James Cameron’s mega-hit Avatar. Carter received his first Oscar nomination for his work on Robert Zemeckis’s Forrest Gump, and an additional nomination for Steve Spielberg’s historic epic War Horse. Carter served as co-production designer for Star Wars: The Force Awakens, and is currently collaborating with Steven Spielberg on The BFG. He lives in Los Angeles.


Most helpful customer reviews

82 of 87 people found the following review helpful.
The force is strong with this one
By Squirrelman
This is an amazing art book that would please any star wars fan. Its loaded with content and the pictures look beautiful and cover lots of different things from the new movie. Throughout the book there are brief comments talking about the art teams journey designing everything as well as comments on some of the pictures. Also the book is laid out in a timeline format so that as you go through the book you get to see how the art team was progressing and when they made everything (For example on page 20 in the top left corner it says January 2013 and then on page 54 its dated April 2013). Also each picture has a title and the artists name next to it. The book itself is very nicely made. The slipcover has some great art on both the front and back and the book itself has a nice and thick hardcover featuring the Millennium Falcon. The contents are:

Foreword- is 4 pages and basically just talks about the book and the new movie and what they hoped to achieve with it.

Introduction- is 2 pages and just talks about how they had to make the new film just as good if not better than the previous films and a few things they wanted to do with the new film.

Whos Who- This is 2 pages and lists the names of all the artists and designers.

"Guided Imagery" Concept Phase- This is 70 pages and is just the art and designers throwing out sketches and art that they might later use. You get to see some ideas of how Rey, Finn and other new characters might look as well as a weird version of the AT-AT. There are revisions of Han Solo and Princess Leia, lots of battle scenes and beautiful scenery. There are vehicle concepts, some new storm trooper ideas, lots of different characters, the new Death Star, Junk Yards of ships and stuff, Sith lords, New space ships, and just lots more. The art is quite detailed and looks awesome.

Pre Production- Is 102 pages and is where they finally got certain things approved by J. J. Abrams like hangers, and troop transports. There's even a picture showing exactly how they get out of tie Fighters (I will post a picture of this for you). Like the rest of the book the art is stunning and captures the Star Wars Universe perfectly. You get to see sketches, blueprints, models, lots of concept art and artwork. There's lots of locations, fallen walkers, burning tie fighters, loads of characters and vehicles, and so much more.

Production- Is 52 pages and is art that shows various scenes from the movie. Also the commentary here talks about the production and things such as Harrison Ford getting hurt and other things about making the film. One of my favorite pictures is the X-wings flying right above the water and waters flying everywhere (I'll post a picture).

Post Production- Is 6 pages and I guess is art that they might use for the next movie which according to this book is called Star Wars Anthology: Rogue One which is set for release in December of 2016 (I'll post a picture proving this).

"Who is Luke Skywalker?" Is only a page and talks about the force.

Overall this book was loaded with content and really is an excellent companion to the new film. The art was very nice and covered a lot from the Star Wars universe. Its just really cool to see various versions of things and how they look compared to the final result as well as see the progress the art team made. This was definitely worth every penny and if you or someone you know is a Star Wars fan then get this you wont be disappointed.

32 of 32 people found the following review helpful.
Great but a bit different from other Star Wars artbooks
By Parka
[[VIDEOID:7fcb7680babe33ef50d8958493d660ee]]Wow. This artbook is better than I expected, but it's also a bit different than the ones for Episodes I, II and III.

The content is interestingly arranged in chronologically in order of the film production, so you can follow along as the art and concepts are developed from January 2013 to January 2015. You'll be able to see the early concepts for Rey and Finn who in the beginning are drawn like they are for some teen movie, and then much later on when it makes more sense to cover up Rey in survival gear-like clothing.

So there's no specific section on character designs, environments or vehicles. Everything is just mixed together as and when they were being developed. It's an interesting approach that I'm not sure if it's good or bad.

The artworks are fantastic. Most of them are of scene paintings and environments. And these would be the highlight of the book. They are very detailed and beautiful. I think they capture the mood of the film well and the worlds created look really believable and beautiful. One good thing is the artworks feel like they are from Star Wars and not some first-person-shooter sci-fi video game. There's also insightful commentary from the art department.

I'm surprised there aren't more character and creature designs though. For example, you won't get to see the different variations of suits for Poe, Rey, Finn, Kylo Ren or other characters for that matter. Most characters and aliens when they do appear are in the scene paintings. Maybe more will be included in the making-of book.

If you want to learn more about the characters, then get Star Wars: The Force Awakens Visual Dictionary. Or for vehicles, get Star Wars: The Force Awakens Incredible Cross-Sections. This artbook together with the two other books will make for a complete visual collection.

And because the book's arranged in chronological order by film production and not the storyline, it can be difficult to locate the information that you want. For example, Rey's art is scattered throughout. Overall, it's not a big deal, at least to me.

As a 256-page hardcover artbook, it's really worth the money. Highly recommended for the fans.

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

19 of 24 people found the following review helpful.
The Art of Star Wars: The Force Awakens
By JMM
[[VIDEOID:3c263b00b5485e374a58a9d55c1b7dcc]]“The Art of Star Wars: The Force Awakens” is a fantastic journey through the galaxy far, far away, along with its characters, creatures, vehicles, weapons, and planets. There are quite a few books about Star Wars: The Force Awakens being released - and this is the best of them if you are interested in the artistic side of Star Wars (or movies in general).

I won’t spoil anything specific - I’ll just say that you’ll probably want to save this book until after you’ve seen the film, because the book includes designs (both conceptual and finished) for certain characters and locations that are better kept a mystery until you’ve experienced the movie.

If you enjoyed the film, you will be pleased to know that this book offers the reader insight into the detailed art direction and production design that went into creating “The Force Awakens”. Star Wars has always used the image to convey thematic ideas; and the level of imagination and creativity that goes into them is arguably greater than any other film franchise.

Among the imagery in the book are early and unused concept sketches, storyboards, paintings, and even blueprints. The images are printed in high resolution so you can inspect every detail. Although this is primarily a book of art, the author has done a nice job writing text that compliments the imagery and enhances the experience of the book. Included are quotes from key creatives that worked on the project.

On the whole, the book has a nice layout; while most books group the artwork by character or the film chronology, this book does things a bit differently. The art is instead published essentially in the order it was created, beginning with the earliest concept ideas in late 2012 and ending with some post-production design changes in January 2015. So as the reader flips through the book they can see the evolution of the film's designs take place.

This has instantly become one of my favorite movie art books. If you liked the movie and want to know more about the designs from concept to completion, you will enjoy the book. This would make a great gift for the Star Wars fan.

See all 256 customer reviews...

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